Marilyn Manson – One Assassination Under God – Chapter 1 Review

Marilyn Manson‘s One Assassination Under God – Chapter 1 is a commanding return that fuses the theatricality of his earlier works with a raw, modern edge. Released on November 22, 2024, this nine-track album delves into themes of faith, betrayal, and societal critique, painting a vivid picture of defiance and introspection. Manson’s lyrical sharpness remains as biting as ever, with tracks like Sacrilegious serving as an anthem of rebellion, blending haunting vocals and aggressive riffs to confront religious and cultural norms head-on.

The album showcases a remarkable evolution in Manson’s sound, particularly with the inclusion of guitarist Reba Meyers from Code Orange, whose contribution brings a fresh intensity to the music. Paired with Tyler Bates’s atmospheric production, the album achieves a dynamic balance between industrial grit and melodic depth. Songs such as Death Is Not a Costume channel visceral energy. At the same time, the haunting Meet Me in Purgatory offers moments of somber reflection, demonstrating Manson’s ability to evoke powerful imagery and emotion.

For longtime fans, the album feels like a nostalgic callback to the dark energy of Antichrist Superstar. Yet, it stands firmly as a work of its own, reflecting the maturity of an artist who has weathered storms both personal and public. New listeners will find an accessible entry point into Manson’s provocative world, as the record strikes a compelling balance between introspection and audacious showmanship. With One Assassination Under God – Chapter 1, Marilyn Manson proves his artistry remains unapologetically relevant. This album is more than a comeback, it’s a statement of resilience and reinvention, an exploration of shadowy themes rendered through unforgettable music that challenges, captivates, and provokes thought in equal measure.

Artists: Marilyn Manson