Apocalyptica
Apocalyptica?s headline show at the Royal Albert Hall, performing their Metallica Vol. 2 set, was nothing short of epic. A night that melded the grandeur of a world-renowned venue with the sheer intensity of metal?s finest moments, it was an evening that both classical and metal fans won?t soon forget.
Kicking off the night was The Raven Age, a band that has steadily carved out a place for themselves in the metal world. Their set was a powerful blend of melodic and crushing riffs, setting the stage perfectly for what was to come. Their performance was tight, their energy infectious, and by the end, they had the audience primed for the main event.
Then, the lights dimmed, and the cellos of Apocalyptica took over, instantly commanding the attention of everyone in the hall. Opening with ?Ride the Lightning,? the band wasted no time diving into the heart of Metallica?s iconic catalogue, transforming these legendary tracks into orchestral masterpieces. From the thunderous reception of ?Enter Sandman? to the raw power of ?Creeping Death,? Apocalyptica brought a new life to each song, pushing their cellos to the limit in a way that only they can.
The setlist was a greatest-hits compilation that would make any Metallica fan?s heart race. Classics like ?For Whom the Bell Tolls? and ?Battery? took on a hauntingly beautiful tone, while the instrumental prowess displayed during ?The Call of Ktulu? was nothing short of breathtaking. Apocalyptica?s ability to take such aggressive, electric-heavy tracks and transform them into sweeping, symphonic journeys is a testament to their skill and artistry.
One of the night?s standout moments came during ?Nothing Else Matters,? where the emotion in every note seemed to resonate throughout the historic hall. The song, already a ballad with a deep emotional core, took on an even more poignant weight in this setting, leaving the crowd mesmerised.
But it wasn?t all introspective calm, far from it. Tracks like ?Blackened? and ?Master of Puppets? had the crowd headbanging in their seats, the powerful cello arrangements hitting with the same force as any electric guitar could. The energy was relentless, building to a peak as the band closed the main set with ?Seek & Destroy.?